[764] A Subaltern's Love Song
Guest poem submitted by Pavithra Krishnan, <pavikaye@>:
Miss J. Hunter Dunn, Miss J. Hunter Dunn,
Furnish'd and burnish'd by Aldershot sun,
What strenuous singles we played after tea,
We in the tournament - you against me!
Love-thirty, love-forty, oh! weakness of joy,
The speed of a swallow, the grace of a boy,
With carefullest carelessness, gaily you won,
I am weak from your loveliness, Joan Hunter Dunn.
Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
How mad I am, sad I am, glad that you won,
The warm-handled racket is back in its press,
But my shock-headed victor, she loves me no less.
Her father's euonymus shines as we walk,
And swing past the summer-house, buried in talk,
And cool the verandah that welcomes us in
To the six-o'clock news and a lime-juice and gin.
The scent of the conifers, sound of the bath,
The view from my bedroom of moss-dappled path,
As I struggle with double-end evening tie,
For we dance at the Golf Club, my victor and I.
On the floor of her bedroom lie blazer and shorts,
And the cream-coloured walls are be-trophied with sports,
And westering, questioning settles the sun,
On your low-leaded window, Miss Joan Hunter Dunn.
The Hillman is waiting, the light's in the hall,
The pictures of Egypt are bright on the wall,
My sweet, I am standing beside the oak stair
And there on the landing's the light on your hair.
By roads "not adopted", by woodlanded ways,
She drove to the club in the late summer haze,
Into nine-o'clock Camberley, heavy with bells
And mushroomy, pine-woody, evergreen smells.
Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
I can hear from the car park the dance has begun,
Oh! Surrey twilight! importunate band!
Oh! strongly adorable tennis-girl's hand!
Around us are Rovers and Austins afar,
Above us the intimate roof of the car,
And here on my right is the girl of my choice,
With the tilt of her nose and the chime of her voice.
And the scent of her wrap, and the words never said,
And the ominous, ominous dancing ahead.
We sat in the car park till twenty to one
And now I'm engaged to Miss Joan Hunter Dunn.
-- John Betjeman
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I like this one as much for the title as for anything that follows. A poem
that admits to being a Love Song right off the bat, needs to balance the
sentimentality of the confession with, well... something. Where Eliot used
J. Alfred Prufrock, Betjeman uses A Subaltern... and follows up with the
introduction of the entirely bewitching Miss J. Hunter Dunn. And if the
title fails to inspire interest, well then I dare any reader to rein in at
the end of the first verse. Betjeman at his merriest is impossibly
irresistible. His rhythms have been called near-Tennysonian, a deliciously
accurate observation: like the earlier Laureate, Betjeman too, slips with
breathtaking ease into beautiful babblings. And like the girl that is its
fascination, the poem too is light and lovely, swift and sure of foot (that
could well be feet :)). Miss Dunn in all her athletic splendour, outdoorsy
goodlooks and snub-nosed wholesomeness, is representative of the species of
girlhood that Betjeman's verse was particularly susceptible to (in his own
words)-- 'The tennis-playing biking girl/ The wholly-to-my-liking girl"...
Here's a poet who has a way with hyphens and the words that go with them, a
poet who can charm the cynic out of anyone [1] with his style of
story-telling. I love the loving attention he pays to inconsequential (but
then again maybe not so) details -- the pictures of Egypt, the double-end
evening tie, the scent of her wrap, her father's euonymus that shines as
they walk... [2] I like too that he makes a precious habit of investing
inanimates with human qualities thereby giving us such wonders as a
questioning sun, an importunate band, an intimate roof...
Great poetry doesn't always make for happy reading. Sometimes it does. And
sometimes, like with Betjeman's poem, it can be, quite simply, a joy.
Pavi.
[1] Though on the other hand,
"A Subaltern's Love-Song"
Feel her foreplay - more than kisses!
Now I'll have to call her Mrs.
-- Bill Greenwell
...Well, almost anyone then ;-)
[2] euonymus: a shrub or small tree noted for its autumn colours and bright
fruit - and not an obscure reference to a balding head as I fondly believed
:)
From: mamaliga <zvitka@>
> Great poetry doesn't always make for happy reading. Sometimes it does. And
> sometimes, like with Betjeman's poem, it can be, quite simply, a joy.
> Pavi.
Oh yes, this was such a gush of delight. Tongue so firmly in cheek, hardly
any teeth, but for "the ominus, ominus' and even that how like omnibus,
oh and a big smile.
Thank you Pavi.
From: "Axbey, Stephen" <stephen.axbey@>
Fantastic to see this one again and realise again that it's actually very
good.
I wondered how many non-English readers puzzled over "roads 'not adopted' "?
This intriguing-sounding phrase actually has quite a banal meaning: When the
local government recognise a road as a public road and therefore assume
responsibility for the maintenance and upkeep etc the road is said to be
"adopted"
Unadopted roads might be (for instance) in an exclusive housing estate, or a
road that leads to the golf-club alone.
From: "Bob Clyde" <b.clyde@>
Re: Euonymus =96 the OED gives the following:
1785 J. M. Mason Notes on Shaks. 349 The euonymus, of which the best
skewers are made, is called Prick-wood.
Perhaps JB had a more risqué sense of humour than might otherwise be
inferred from the context.
Bob Clyde
5 Dartmouth Hill
London SE10 8AJ
TEL: +44 (0)7767 786 940
From: Donald Bullock <donald@>
I too am a student of John Betjeman. Who is, or was, Miss Joan Hunter
Dunn? Can anyone tell me ?
Incidentally, I commend his poem Executive to anyone who hasn't read
it. How well he captures the 'developer' pest and 'allows' him to indict
himself with his 'own' clique-ridden utterances !
Donald
Bullock,
Spain.