[1495] To a Skylark

Title : To a Skylark
Poet : Percy Bysshe Shelley
Date : 13 Apr 2004
1stLine: Hail to thee, blithe...
Length : 105 Text-only version  
PrevIndex Next
Your comments on this poem to attach to the end [microfaq]

Guest poem submitted by Firdaus Janoos, <firdaus@>:

To a Skylark
     Hail to thee, blithe spirit!
       Bird thou never wert-
     That from heaven or near it
       Pourest thy full heart
In profuse strains of unpremeditated art.

     Higher still and higher
       From the earth thou springest,
     Like a cloud of fire;
       The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.

     In the golden light'ning
       Of the sunken sun,
     O'er which clouds are bright'ning,
       Thou dost float and run,
Like an unbodied joy whose race is just begun.

     The pale purple even
       Melts around thy flight;
     Like a star of heaven,
       In the broad daylight
Thou art unseen, but yet I hear thy shrill delight-

     Keen as are the arrows
       Of that silver sphere
     Whose intense lamp narrows
       In the white dawn clear,
Until we hardly see, we feel that it is there.

     All the earth and air
       With thy voice is loud,
     As when night is bare,
       From one lonely cloud
The moon rains out her beams, and heaven is overflow'd.

     What thou art we know not;
       What is most like thee?
     From rainbow clouds there flow not
       Drops so bright to see,
As from thy presence showers a rain of melody:-

     Like a poet hidden
       In the light of thought,
     Singing hymns unbidden,
       Till the world is wrought
To sympathy with hopes and fears it heeded not:

     Like a high-born maiden
       In a palace tower,
     Soothing her love-laden
       Soul in secret hour
With music sweet as love, which overflows her bower:

     Like a glow-worm golden
       In a dell of dew,
     Scattering unbeholden
       Its aërial hue
Among the flowers and grass which screen it from the view:

     Like a rose embower'd
       In its own green leaves,
     By warm winds deflower'd,
       Till the scent it gives
Makes faint with too much sweet those heavy-wingèd thieves.

     Sound of vernal showers
       On the twinkling grass,
     Rain-awaken'd flowers-
       All that ever was
Joyous and clear and fresh-thy music doth surpass.

     Teach us, sprite or bird,
       What sweet thoughts are thine:
     I have never heard
       Praise of love or wine
That panted forth a flood of rapture so divine.

     Chorus hymeneal,
       Or triumphal chant,
     Match'd with thine would be all
       But an empty vaunt-
A thin wherein we feel there is some hidden want.

     What objects are the fountains
       Of thy happy strain?
     What fields, or waves, or mountains?
       What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?

     With thy clear keen joyance
       Languor cannot be:
     Shadow of annoyance
       Never came near thee:
Thou lovest, but ne'er knew love's sad satiety.

     Waking or asleep,
       Thou of death must deem
     Things more true and deep
       Than we mortals dream,
Or how could thy notes flow in such a crystal stream?

     We look before and after,
       And pine for what is not:
     Our sincerest laughter
       With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.

     Yet, if we could scorn
       Hate and pride and fear,
     If we were things born
       Not to shed a tear,
I know not how thy joy we ever should come near.

     Better than all measures
       Of delightful sound,
     Better than all treasures
       That in books are found,
Thy skill to poet were, thou scorner of the ground!

     Teach me half the gladness
       That thy brain must know;
     Such harmonious madness
       From my lips would flow,
The world should listen then, as I am listening now.

	-- Percy Bysshe Shelley


The best poetry is what Shelley terms "unpremeditated art". This is
almost in line with the Zen philosophy of effortless achievement. This,
perhaps the loveliest of Shelley's poems, is a tribute of art born of
pure understanding. But there is also an acknowledgement that the
frailties of humans -- hate, pride, fear, sorrow -- are essential
ingredients of the human experience, however flawed that might be. Quite
paradoxical.

The lines:

     Teach me half the gladness
        That thy brain must know;
      Such harmonious madness
        From my lips would flow,
 The world should listen then, as I am listening now.

are some of the best lines in English poetry -- a tribute to his muse,
something like Kubla Khan, or Wordsworth's 'Highland lass' -- inspiring
them to heights of poetry.


[this poem is archived, accessible and awaiting your comments at]
http://www.cs.rice.edu/~ssiyer/minstrels/poems/1496.html
To subscribe, send a blank mail to <minstrels-subscribe@>.


Yahoo! Groups Links

<*> To visit your group on the web, go to:
     http://groups.yahoo.com/group/minstrels/

<*> To unsubscribe from this group, send an email to:
     minstrels-unsubscribe@

     http://docs.yahoo.com/info/terms/