[411] The Tables Turned

Up! up! my Friend, and quit your books;
Or surely you'll grow double:
Up! up! my Friend, and clear your looks;
Why all this toil and trouble?

The sun above the mountain's head,
A freshening lustre mellow
Through all the long green fields has spread,
His first sweet evening yellow.

Books! 'tis a dull and endless strife:
Come, hear the woodland linnet,
How sweet his music! on my life,
There's more of wisdom in it.

And hark! how blithe the throstle sings!
He, too, is no mean preacher:
Come forth into the light of things,
Let Nature be your teacher.

She has a world of ready wealth,
Our minds and hearts to bless--
Spontaneous wisdom breathed by health,
Truth breathed by cheerfulness.

One impulse from a vernal wood
May teach you more of man,
Of moral evil and of good,
Than all the sages can.

Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things:--
We murder to dissect.

Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.

	-- William Wordsworth

Yes, another one of these. There is a discernible attitude, among some poets,
that book learning (and science in particular) is somehow 'unnatural' and
'unpoetic', and that by its pursuit the human race is abandoning its
collective spirituality, so to speak, and moving away from nature.

This has spawned a whole brood of fallacies and misrepresentations, from
Rousseau's unfoundedly praised 'noble savage' to Whitman's unjustly reviled
'learned astronomer'.[1]

But enough of the rant - what about the poem? Well, even considered apart
from its viewpoint, it's not that great a poem. The tone is sententious, the
form correct but dull. And if he was trying to present nature as infinitely
more attractive than books - well, let's just say I've seen it done better.
In fact, the only reason I'm running this at all is that my irritation at
the attitude displayed occasionally calls for an outlet, and the poem made a
good excuse :)

(Though in Wordsworth's defence the friend he addressed the poem to
apparently had an equally one-sided attachment to books - see Notes.)

[1] imho, the only place this *has* been done well is in Oscar Wilde's "The
Nightingale and the Rose"

Notes:

  In the "Advertisement" to the volume, Wordsworth wrote: "The lines
  entitled Expostulation and Reply and those which follow [The Tables
  Turned], arose out of conversation with a friend who was somewhat
  unreasonably attached to modern books of moral philosophy." The friend was
  probably William Hazlitt who visited Coleridge and Wordsworth in Somerset
  in the spring of 1798. See Hazlitt's essay "My First Acquaintance with
  Poets."
    -- from http://www.library.utoronto.ca/utel/rp/poems/wordswor2.html

Links:

For Whitman's poem, and a fine rant by Thomas on the same topic, see poem #54
For a biography of Wordsworth (and a far nicer poem of his), see poem #63

- martin

From: HLAD4U@

i hate reading poems like this, how dull!

From: Pigtail72@

This is my favorite poem. Indeed it is lovely and true.

From: "Donnelly, Paul" <Paul.Donnelly@>

I've always liked this poem, much in the same you like a Bacharach/David
song: it's a perfect little confection, regardless of the callowness of the
sentiment. But what about the third line in the famous, penultimate stanza
-- Mis-shapes the beauteous forms of things:-- is it me or does it not quite
scan properly?


____________________________________
Paul Donnelly
Senior Developmental Editor, Higher Education
Pearson Education Canada
26 Prince Andrew Place
Don Mills, ON M3C 2T8
Tel   (416) 386-3606
Fax  (416) 447-6842
paul.donnelly@




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From: "Irvin Peckham" <ipeckh1@>

It's interesting to read the posturing as readers try to one-up Wordsworth.

========================= 
Irvin Peckham
Director of Firstyear Writing
Louisiana State University
ipeckh1@
http://members.cox.net/ipeckham
225.772.5963
=======================